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For over a generation, shocking cases of censorship at America’s colleges and universities have taught students the wrong lessons about living in a free society. Drawing on a decade of experience battling for freedom of speech on campus, First Amendment lawyer Greg Lukianoff reveals how higher education fails to teach students to become critical thinkers: by stifling open debate, our campuses are supercharging ideological divisions, promoting groupthink, and encouraging an unscholarly certainty about complex issues.

Lukianoff walks readers through the life of a modern-day college student, from orientation to the end of freshman year. Through this lens, he describes startling violations of free speech rights: a student in Indiana punished for publicly reading a book, a student in Georgia expelled for a pro-environment collage he posted on Facebook, students at Yale banned from putting an F. Scott Fitzgerald quote on a T shirt, and students across the country corralled into tiny “free speech zones” when they wanted to express their views.

But Lukianoff goes further, demonstrating how this culture of censorship is bleeding into the larger society. As he explores public controversies involving Juan Williams, Rush Limbaugh, Bill Maher, Richard Dawkins, Larry Summers—even Dave Barry and Jon Stewart—Lukianoff paints a stark picture of our ability as a nation to discuss important issues rationally. Unlearning Liberty: Campus Censorship and the End of American Debate illuminates how intolerance for dissent and debate on today’s campus threatens the freedom of every citizen and makes us all just a little bit dumber.

• Sales Rank: #221844 in Books
• Published on: 2014-03-11
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x 1.00" w x 6.00" l, .0 pounds
• Binding: Paperback
• 304 pages

Review
"Lukianoff is an engaging exposer of the shocking repression of free speech on campus, combining good storytelling with clear principles and a serious purpose with a light touch." — Steven Pinker, Harvard College Professor of Psychology, Harvard University, author of The Blank Slate and The Better Angels of Our Nature

"Unlearning Liberty is a must read book for anyone concerned about the constitutional future of our nation." — Nat Hentoff, journalist, author of Free Speech for Me—But Not for Thee

"Here's a book full of sunlight—the best disinfectant for campus censorship." — Jonathan Rauch, guest scholar, Brookings Institution, author of Kindly Inquisitors: The New Attacks on Free Thought

“Destined to be a classic work on freedom in America.” — Donald Alexander Downs, Alexander Meiklejohn Professor of Political Science, Law, and Journalism, University of Wisconsin-Madison, author of Restoring Free Speech and Liberty on Campus

“American universities have been described as islands of intolerance in a sea of freedom. Unlearning Liberty is a meticulous and inspiring guide on how to liberate the islands!” — Christina Hoff Sommers, resident scholar, American Enterprise Institute, author of The War Against Boys

“Lukianoff argues brilliantly and with wit for the importance of free expression in a society that hopes to produce free human beings rather than craven conformists.” — Daphne Patai, professor, Department of Languages, Literatures, and Cultures, University of Massachusetts Amherst, author of What Price Utopia?

“Unlearning Liberty shows why free speech rights on campus are more important than ever, and how controversy is still a great teacher.” — Mary Beth Tinker, plaintiff in Tinker v. Des Moines Independent School District

“Beautifully written and powerfully argued … an essential wake-up call!" — Nadine Strossen, Professor of Law, New York Law School, former President, American Civil Liberties Union (1991-2008), author of Defending Pornography: Free Speech, Sex, and the Fight for Women’s Rights

About the Author
Greg Lukianoff is an attorney and president of the Foundation for Individual Rights in Education. His writings on campus free speech have appeared in the Wall Street Journal, the New York Times, and the Washington Post, in addition to dozens of other publications. A regular columnist for the Huffington Post, he is a frequent guest on nationally syndicated radio programs and has made numerous television appearances, including on the CBS Evening News and Stossel. He received the 2008 Playboy Foundation Freedom of Expression Award and the 2010 Ford Hall Forum’s Louis P. and Evelyn Smith First Amendment Award on behalf of FIRE. Lukianoff is a graduate of American University and Stanford Law School.

Most helpful customer reviews

86 of 87 people found the following review helpful.
Fantastic book - Unfortunately for liberty
By Peter
Can't say it any better than Ken at Popehat.com (awesome free speach legal blog).

In Unlearning Liberty, Greg reviews the different occasions and excuses for censorship in modern American universities, marshaling a bewildering array of case studies. Some were familiar to me: the ludicrous reaction to posters at University of Wisconsin-Stout, the legal threats to critics of the administration of Peace College, and the entirely repellent tale of Indiana University punishing a student worker for reading a book about struggles against the Klan in front of coworkers. Many others were new to me -- and I follow FIRE fairly closely. Greg has a talent for describing instances of censorship in a way to outrage me anew even if I have heard of them before. (For instance, I defy anyone to read about the University of Delaware's frankly Stalinist reeducation program for frosh without feeling disgust and contempt; Greg offers new details that led me to put the book down and go take a walk for a while.)

But this is not merely a compilation of cases. Greg traces the history of campus censorship after the "political correctness" disputes of the 1990s, and weaves the incidents of censorship together to explain how different vaguely defined ideas (like "harassment" and "disruption" and "civility") are used in an unprincipled manner as trump cards to shut people up. Moreover, Greg rather convincingly illustrates how university censorship impacts the attitudes and tolerances of students, and explains why we should fear that students taught to submit to censorship and due process violations will not be reliable supporters of free expression or due process as voting adults.

47 of 47 people found the following review helpful.
something anyone going to college and their parents should read!
By K. Freberg
The book "UNLEARNING LIBERTY" is an insightful look into academia today and although Lukianoff points to the many administrators that have run an 'underground railroad' of sorts to funnel abused students and faculty to legal remedy... there are far too many administrators and faculty who feel that it is their right to restrict the rights of others, punish the guilty without due process and destroy the careers and lives of the innocent.

The book chronicles many of the cases of FIRE (Foundation for Individual Rights in Education) over a ten year period. Some will make you mad, some will make you cry. This book should be given to every freshman entering a college or university today... so they know what their rights are... where they can appeal if they find themselves unfairly under the administrative boot... and, most importantly, that they are not alone.

So, whether you are on the left or the right of the political spectrum, you will find this book quietly disturbing.... and a must read.

Roger Freberg

7 of 7 people found the following review helpful.
Out of the FIRE and into the light
By Wanda B. Red
"Unlearning Liberty" is a worthy successor to "The Shadow University: The Betrayal of Liberty on America's Campuses," written by Alan Kors and Harvey Silverglate, the co-founders of FIRE (the Foundation for Individual Rights in Education) and published in 1999. Greg Lukianoff has been President of FIRE since 2001, and most of the cases of free speech and due process violations on our college campuses that form the backbone of this lively and informative book, were referred to FIRE over the past dozen years. Since the problems of "political correctness" and the over-reaching of speech codes have been well known since "The Shadow University" and other exposés were published in the 1990s, it is very dispiriting to see that the pace at which freedoms are violated has not slackened. Lukianoff does not permit himself to be discouraged, however, and concludes the book with the hope that reforms targeted at making higher education more affordable may also fuel other reforms, including unchaining thought and speech on campus. Despite the fact that he earlier links the infringement of individual rights to the growth of the professional university administration, he does not, however, provide much hope or evidence that this is likely to happen. FIRE itself is one of the chief blocks to what seem to be an ever-increasing willingness of both campus administration and government to limit freedom in order to protect students from hurt feelings and foster civility.

The stories related here are chilling. They include, for example, an older student working his way through college found guilty of racial harassment merely for reading a book, an orientation program that literally trains its practitioners to stifle debate, several schools that have explicitly prohibited Christian groups from forming organizations thus depriving them of the rights of association while other kinds of student groups have free rein, guidelines circulated with syllabi that demand student agreement with debatable assumptions and graduate programs that expel students who dispute approved definitions of "social justice." Examples of such trends and practices are truly disturbing.

One of the most frightening trends, as Lukianoff's many narratives of rights-violations makes clear, is the creation of regulations and laws by the Department of Education and state legislatures that literally require universities to violate the individual rights of their students (e.g., the "Dear Colleagues" letter issued by the DOE in 2011 requires a reduced standard of evidence to convict a student of harassment, including sexual assault). Lukianoff even explains how a recent Supreme Court decision misconstrues the first amendment. The law of the land is itself moving away from protecting our liberty, an evolution this book interestingly links to the flagging attention to vigorous debate and critical thinking fostered on campuses where students and faculty alike are increasingly afraid of expressing themselves bluntly and clearly. We are in danger of failing to educate the next generation of citizens to value central freedoms.

My only criticism of this important and fluidly written book is its organization. Each chapter opens from the perspective of a fictional student first learning about, then applying to, finally being admitted to and attending a fictional college campus. The anecdotes and interests of the chapters follow those of this hypothetical young student, from censorship in high schools to hypocrisy in college publicity and admission to the excesses of orientation programs and infringement of freedom of association on campus. I found this structure confusing and would have preferred that the powerful evidence supplied by this book had been organized by a more rigorous topical method--e.g., a chapter on speech codes, followed by a chapter on the rise of the therapeutic approach to student life, followed by a chapter on due process, freedom of association and so forth. I also thought that the fictionalizing thought experiment that governs the book's structure blunts the brute reality of the true stories that it tells. But if Lukianoff's student-centered approach attracts more young readers, the loss of clarity will be worth the expansion of readership.

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[I477.Ebook] PDF Download Nanotechnology: Understanding Small Systems, Third Edition (Mechanical and Aerospace Engineering Series), by Ben Rogers, Jesse Adams, Sumi

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An Accessible, Scientifically Rigorous Presentation That Helps Your Students Learn the Real Stuff

Winner of a CHOICE Outstanding Academic Book Award 2011
"… takes the revolutionary concepts and techniques that have traditionally been fodder for graduate study and makes them accessible for all. … outstanding introduction to the broad field of nanotechnology provides a solid foundation for further study. … Highly recommended."
―N.M. Fahrenkopf, University at Albany, CHOICE Magazine 2011

Give your students the thorough grounding they need in nanotechnology. A rigorous yet accessible treatment of one of the world’s fastest growing fields, Nanotechnology: Understanding Small Systems, Third Edition provides an accessible introduction without sacrificing rigorous scientific details. This approach makes the subject matter accessible to students from a variety of disciplines. Building on the foundation set by the first two bestselling editions, this third edition maintains the features that made previous editions popular with students and professors alike.

See What’s New in the Third Edition:

• Updated coverage of the eight main facets of nanotechnology
• Expanded treatment of health/environmental ramifications of nanomaterials
• Comparison of macroscale systems to those at the nanoscale, showing how scale phenomena affects behavior
• New chapter on nanomedicine
• New problems, examples, and an exhaustive nanotech glossary

Filled with real-world examples and original illustrations, the presentation makes the material fun and engaging. The systems-based approach gives students the tools to create systems with unique functions and characteristics. Fitting neatly between popular science books and high-level treatises, the book works from the ground up to provide a gateway into an exciting and rapidly evolving area of science.

• Sales Rank: #70165 in Books
• Published on: 2014-10-28
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .90" w x 7.10" l, 2.34 pounds
• Binding: Hardcover
• 427 pages

Review

"I use this book for undergrad freshmen and sophomore students. This book is useful to introduce the concept of nanotechnology to undergrad students in their very early stage of study."
―Eui-Hyeok Yang, Stevens Institute of Technology, Hoboken, New Jersey, USA

"The book is well-written with lots of examples and historic perspectives that certainly make reading more enjoyable and stimulating."
―Dr. Prabhu Arumugam, Louisiana Tech University, Ruston, USA

"The main strengths of this book are its illustrations, which are well conceived and layered from the viewpoint of attracting student attention, while also containing a sufficient level of detail to warrant repeated reference. While the "back of the envelope" calculations can come across as rather simplistic, I like it from the viewpoint that it helps students identify a degree of personal connection to the concept. The connection to emerging research ideas and even some example commercial products helps highlight the dynamic coverage of the topics. Through classifying chapters as per the areas of mechanics, fluidics, electronics, biology and medicine, the authors are able to relate their material to core disciplines, while emphasizing unifying and converging ideas."
―Nathan S. Swami, Electrical & Computer Engineering, University of Virginia, Charlottesville, USA

"Overall, this book takes engaging and entertaining style, which makes this book very readable, and provides a gateway into an exciting and rapidly evolving area of science."
―Mei Zhang, Florida State University

"… a comprehensive overview of nearly all aspects of modern and meaningful nano science and technology. … accessible to students with a wide variety of backgrounds, strengths, and disciplines, especially within a full semester course on nano science and technology."
―Michael J. Escuti, North Carolina State University

"… describes the plurality of nanotechnology in a good manner, both from its historical, chemical, physical and biological aspects …"
―Ola Nilsen, University of Oslo, Norway

"… an excellent introduction to a wide range of nanotechnology topics and the authors make the material fun to learn. … The authors are able to strip down difficult topics and present them in an easy to read formula."
―Donald J. Sirbuly, Department of NanoEngineering, UC San Diego

About the Author

Ben Rogers is a writer and an engineer (BS 2001; MS 2002, University of Nevada, Reno). He has done research at Nanogen, the Oak Ridge National Laboratory, and NASA’s Jet Propulsion Laboratory, and published many technical papers, as well as fictional works and essays (which can be found at http://readrogers.com/). He is currently the principal engineer at NevadaNano and lives in Reno with his wife and two daughters.
Jesse Adams (BS 1996, University of Nevada; MS 1997 and PhD 2001, Stanford University) is the vice president and CTO of NevadaNano. He is working to bring multifunctional microsensor technology to the chemical sensing market space.
Sumita Pennathur is an associate professor of mechanical engineering at the University of California, Santa Barbara (BS 2000, MS 2001, Massachusetts Institute of Technology; PhD 2005, Stanford University). She has been actively contributing to the fields of nanofluidics and nanoelectromechanical systems (NEMS), and has spent some time at both Sandia National Laboratories in Livermore, California, and the University of Twente MESA+ research facility in the Netherlands. When not enveloped in her research work, she can be found either spending time with her husband and two kids or at a local club wailing on her saxophone.

Most helpful customer reviews

0 of 0 people found the following review helpful.
OK, but not for a text.
By N8
It is an OK overview of nanotechnology. There are conceptual errors and some of the presentation does not relate to nanotechnology, although interesting. The chapter end questions are poor, at best. The "back of the envelope" examples do not follow significant figures rules. It seems more like a first edition than a third.

0 of 0 people found the following review helpful.
Five Stars
By Jlegendary
This is an amazing book.

0 of 1 people found the following review helpful.
Five Stars
By mjcdchess
excellent

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Kodokan judo, one of the most well-known martial arts in the world today, was originated by Jigoro Kano (1860–1938). Kano was a martial artist and career educator who developed the art after studying several types of jujutsu, sumo, and Western wrestling. Openness and refinement were hallmarks of his personal and professional style, and he relentlessly searched for the best way to practice, teach, and perform techniques.

This biography shows how Kano saw judo as a vehicle not just for self-defense, but for physical, spiritual, and moral development as well. His teachings clearly emphasize his ideal of judo as a way of self-cultivation that leads to physical health, ethical behavior, and ultimately a better society. Kano was a tireless activist who promoted the practical application of judo’s principles in all realms of life—in one’s personal behavior, for education, in work, for economic benefit, and in both the local and international political arenas.

Kano’s students were a colorful, sometimes notorious bunch, and this book reveals how several went on to become famous—or infamous—in their own right. They include a prime minister of Japan, the leader of the Communist party in China, a famous novelist, a spy, high-level military leaders, and a media mogul, among many others. The author, John Stevens, gives a fascinating account of Kano’s life and times, his teachings, and his interaction with his students.

• Sales Rank: #612310 in Books
• Brand: Brand: Shambhala
• Published on: 2013-08-13
• Released on: 2013-08-13
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .64" w x 5.51" l, .70 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

About the Author
JOHN STEVENS is the author or translator of over twenty books on Buddhism, Zen, aikido, and Asian culture. He is an authority on Zen calligraphy and has practiced and taught aikido all over the world.

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2 of 2 people found the following review helpful.
Kano's Martial Art Genius Is Detailed Through His Life
By Godan
Well researched and a must for any judokas library. In fact I would suggest that any martial artist read it. Not an instructional book at all but does clearly show the jujitsu-judo relationship. Myths that we judokas love are challenged. For example, the underlying fact that cannot be dismissed or swept under the "tatami" if that judo at its technical heart is a method of studying forms of jujitsu--however Kano created the systematic method of study and grouped it under Kodokan Judo. The beauty of Kano's eclectic system was its ability to absorb contents from different martial systems.and the thoughts that detractors offer up as to judo's combat effectiveness are similarly disposed of especially the sporting aspect which is very detailed. Plus, understanding the beginning of the "black-belt" mentality (Kano created the ranking system) is certainly one of them. It took me about thirty years of study and advancement into higher levels to appreciate this genius of thought.. Realizing that Kano was an educator, a thought and probably an atheist, or most certainly agnostic versus a mystic or a warrior (although a descendant of such stock) is critical. It is honest and well worth the read that incorporates the politics and thoughts of Japan in the 1870s.

3 of 3 people found the following review helpful.
Great book on Judo and Kano
By Training Director
Absolutely loved reading this book. Tremendous insight into Professor Kano, his philosphies, his students, and the founding of JUDO. Highly recommended.

1 of 1 people found the following review helpful.
Long awaited biography
By RBS
Interesting details about the history of Judo, the founder, his students, the creation of the ranking and colored belt system, and the lives of Kano and his students.

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Each chapter of Programming for Betfair contains snippets of code that combine to create a complete trading application. The application is geared towards horse racing but can easily be adapted to other sports on Betfair's exchange. Using Microsoft's Visual Studio (downloadable for free) the reader is shown how to code an application that will gather prices for any market on Betfair's exchange and then place bets into that market.

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The final chapter of the book discusses ideas for taking the application and the reader's skills to the next level. Topics discussed include constructing your own trading indicators, volume analysis, trend following, arbitrage, low-latency trading and many more.

• Sales Rank: #2152485 in Books
• Published on: 2015-06-04
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .43" w x 8.50" l, 1.00 pounds
• Binding: Paperback
• 190 pages

About the Author
James became interested in sports betting at a very early age when his father would call out to him for random numbers with which to fill out his football pools coupon.

That led James to an interest in statistics, probability theory and eventually a degree in computer science. From there he went into research and his EDDIE project became the genesis of The Centre for Computational Finance and Economic Agents at the University of Essex.

After leaving academia for The City, working at Reuters on finance related research projects, James is now a freelance consultant, quant developer and writer on sports betting markets. James sometimes blogs on www.betfairprotrader.co.uk

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0 of 0 people found the following review helpful.
Solid and well done handcraft
By Dr. Chrilly Donninger
The author has obviously built a bot for himself. I would have preferred Java, C# or C++ rather than in Visual Basic but in this case the Visual Basic programmers would have been unhappy. Butler assumes that all the readers are newcomers to programming. He explains step by step how to build a full blown bot for trading horse races. The explanation is not restricted to the API but also how to design a Visual Basic windows form. This is great for a beginner but not so interesting for a programmer in another language. The text is not riddled with the usual blah blah of many current programming books. Instead the author is always to the point. It should be straightforward to transform most of the code into another programming language.

One gets the impression that the author knows what he is talking about. He also has the necessary writing skills to explain the concepts in an easy to comprehend way.
The book is not perfect but is well put together and in times where a lot of sloppy books are published this is something to appreciate.

0 of 0 people found the following review helpful.
newbies to coding would be better off to learn the basics of Visual basic
By Gee Anne
The seminal work on Betfair programming. Although a person with no programming experience can implement the program in the book, newbies to coding would be better off to learn the basics of Visual basic .net before starting on the book. The book details how to connect to the Betfair APi, how to write the json response and request classes needed to interact with the API and how to place, cancel and update bets using your bot. The book is well written and easy to understand and I have built a functioning application that allows me to automate strategies I previously had to do manually. I cannot recommend this book strongly enough, that will remain the best purchase I have ever made on Amazon until I buy his next book.

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• Sales Rank: #760252 in Books
• Published on: 2016-10-07
• Original language: English
• Dimensions: 8.50" h x .27" w x 8.50" l,
• Binding: Paperback
• 116 pages

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Computers in music have gone from being a niche subject to becoming a ubiquitous presence that all music students are bound to encounter in their professional lives. Meant to serve as a general reference for music technology courses, Essentials of Music Technology provides an overview of musical acoustics, psychoacoustics, MIDI, digital audio, and sound recording.

Topics covered include:

* The Internet

* MIDI software

* The nature of digital audio storage

* Filters

* Effects

* Room acoustics

* Sampling and synthesis techniques

• Sales Rank: #1110130 in Books
• Published on: 2015-04-15
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 10.20" l, .0 pounds
• Binding: Paperback
• 256 pages

From the Back Cover

Within the span of the last decade, computers in music have gone from being a niche subject to becoming a ubiquitous presence that all music students are bound to encounter in their professional lives. Meant to serve as a general reference for music technology courses, Essentials of Music Technology provides an overview of musical acoustics, psychoacoustics, MIDI, digital audio, and sound recording.

Among the topics covered in this book are:

• The Internet
• MIDI software
• The nature of digital audio storage
• Filters
• Effects
• Microphone types
• Room acoustics
• Sampling and synthesis techniques

The author has a background in theater arts, music composition, and multi-media production. He studied music technology at New York University and McGill University. He is assistant professor of Music Technology at the Pennsylvania State University.

About the Author

Mark Ballora has a background in theater arts, music composition, and multimedia production. He studied music technology at New York University and McGill University. He is Associate Professor of Music Technology at Pennsylvania State University.

Excerpt. © Reprinted by permission. All rights reserved.
What Is Music Technology?

This newly defined component of music education means many things to many people. Music technology, a broad subject, has meanings that may differ for music educators, composers, performers, audio producers, electrical engineers, computer programmers, or perceptual psychologists. All of the music activities in these fields intersect in the personal computer. Within the span of the last decade or so, computers in music have gone from being a niche subject to becoming a ubiquitous presence that all music students are bound to encounter in their professional lives. Furthermore, the new and varied role of the computer in music making brings about surprising overlaps with all of these fields.

Prior to the 1980s, "music technology" (if the term was used at all) would most likely have referred to audio engineering, the conversion (transduction) of musical material into electricity for purposes of amplification, broadcasting, or recording. The first step in the process was the microphone, which performed the acoustic-to-electronic conversion. Once the musical material existed in the form of electrical current, it could be sent to an amplifier that would drive a set of speakers, thus relaying the material over a public address system. Alternatively, the electromagnetic radiation that resulted from the electrical current could be broadcast from an antenna for television or radio reception. Or, if the signal were to be recorded, the musicians were likely to be assembled in a recording studio, with a number of microphones strategically placed for optimal sound capture. The signals from the various microphones were combined in a mixer, which allowed a technician to adjust the relative volumes and stereo positions of each microphone's signal. With a mixer, it was also possible to send the signal to processing devices to adjust the character of the sound, making it, for example, sound as though it were occurring in a large room. Following effects processing, the mixed signals could be sent to tape for storage.

Other possible meanings for "music technology" might have included the use of synthesizers for composing electronic music, an activity attractive to musicians who had a penchant for electrical assembly or who had the means to employ technicians to create and maintain the machinery. Perhaps least known to the general public were those who worked in high-end research institutions who had access to computers, sharing time on these mysterious machines with engineers and rocket scientists and programming them to emit sounds and music.

The personal computer has generalized and expanded these models and affected every area of education. Music technology, implying "the use of computers as an aid to music making" is now a subject that all music educators must address in some way. Small desktop computers may now be part of every step of the musical production process just described, acting as performer, mixer, processor, and storage medium. This development has implications for all practitioners of music, regardless of their specialty. Whether they find themselves working at a school, a recording studio, or concert hall, musicians can count on finding computers at work in the production of musical activity. Performers are often expected to send CDs of their performances as part of applications for jobs. Educators are expected to employ the resources of the Internet and multimedia technology to teach students about music rudiments. Composers are expected to provide performers with laser-printed scores and parts. Thus, knowledge of music technology is becoming a core skill of musical training, along with history, figured bass, and Roman numeral notation. Purpose of This Book

Things should be made as simple as possible, but no simpler.
— Albert Einstein

With any learning endeavor, it is typically the basics that are most difficult to master. This book is meant to provide an overview of essential elements of acoustics, MIDI, digital audio, and sound recording so that students may understand what musical elements may be stored in a computer and what type of manipulations and representations of musical information are possible. It is written in an attempt to find a balance between simple and straightforward presentations and descriptions that are thorough enough to explain the material without "dumbing it down."

The book is not meant to be a substitute for a qualified instructor. A performer cannot master an instrument without the help of an experienced musician, just as an athlete cannot excel at a sport without the guidance of a coach. But even experienced performers and athletes find it useful to consult a fingering chart or a rule book as a reference. This book is intended to play a similar role for a student learning some aspect of music technology. Different sections will be relevant for different types of projects or different levels of learning. It is broken into short sections in order to allow an instructor to assign reading selectively to focus on areas that are important for a given group of students.

The only assumptions are that students are familiar with a computer operating system and fundamentals of music. Certain concepts are best presented with equations, but no advanced mathematical training is necessary to understand the main points. Computers deal with information in the form of numbers, and different programs may require information to be entered differently. A given program may ask for frequency values or musical pitches, for loudness in decibels or in arbitrary units. Mathematics is not presented for its own sake, but rather to give students alternative views of how to understand and work with music in a computer environment. The cognitive psychologist Marvin Minsky has stated that a thing or idea seems meaningful only when we have a variety of different ways to represent it, providing different perspectives and different associations. Viewing music through the lenses of acoustics, physics, or computer science has the potential to yield rich rewards in the form of new perspectives and associations that they bring to the meaning of music.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Very good text, but has a few mistakes/problems
By S. Miller
I have used sections of this book to teach electroacoustic music courses. Overall, it is very good, well organized, and detailed in its treatment. There are, however, a few factual errors, and at least one misconception in the text. Following are the problems I've encountered so far:

Ch. 5 - Representing Numbers

p. 50 - No definition of 'word' as 16, 24, 32, or 64 bit sequence, dependent on design of processor or software system.

p. 51 - The explanation of hexadecimal makes several references to "hexadecimal bits" which should be "hexadecimal digits." The term 'bit' is defined as a 'binary digit', and so is not appropriate in reference to hexadecimal.

p. 52 - Equations at the top of the page are mixed up. Should be:

6(base10) = 01102

-6(base10) = 10012 + 1 = 10102

p. 52 - Sentence that begins, "Numbers that include a decimal point..." is not accurate. There are fixed-point decimal representations as well as floating-point. In fact, the following explanation of floating-point seems rather to be explaining fixed-point decimal representation by focusing on the need to use a certain number of digits (relegating the exponent to 1 byte, for example), rather than explaining how floating-point representation moves (and keeps track of) the decimal point as needed. Also, this discussion leaves the impression that decimal representations are inherently less accurate than integer representation, which is not true.

Ch. 9 - Digital Audio

p. 106 - The sentence which continues after the aliasing equation, "where the minus sign..." should read, "...the frequency is phase inverted."

0 of 0 people found the following review helpful.
Extremely valuable for the technically oriented.
By A Customer
This book is an excellent resource, particularly for those with technical orientations in math and science. It requires a basic understanding of physics and calculus, and an understanding of some recording principles. Mark Ballora comes from a very strong background - New York University and McGill University are the top schools in North America for Music Technology - and the information is presented in a logical, straight-forward and easy-to-undertand format. I am currently using the text as a resource for my physics research project, and would recommend it to any music technology student with an understanding of physics and calculus.

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A more mature travelling public seeking experiences that satisfy a whole spectrum of interests has given rise to one of the fastest growing segments in the tourism industry: special interest tourism. With its roster of expert contributors, this landmark work describes this new brand of tourism, discussing its strategies, policies, and initiatives, introduced in Australia and internationally. Its clear exposition of theory and wealth of industry applications illustrate the diversity of tourism product and development in this new and growing tourism area.

• Sales Rank: #3727570 in Books
• Published on: 2002-08-23
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x .96" w x 7.28" l, .0 pounds
• Binding: Paperback
• 512 pages

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• Sales Rank: #1563849 in Books
• Brand: Brand: Haynes Manuals, Inc.
• Published on: 2003-01-24
• Original language: English
• Number of items: 1
• Dimensions: 10.75" h x 1.00" w x 8.50" l, .91 pounds
• Binding: Paperback
• 320 pages

Features

• Used Book in Good Condition

About the Author
Haynes offers the best coverage for cars, trucks, vans, SUVs and motorcycles on the market today. Each manual contains easy to follow step-by-step instructions linked to hundreds of photographs and illustrations. Included in every manual: troubleshooting section to help identify specific problems; tips that give valuable short cuts to make the job easier and eliminate the need for special tools; notes, cautions and warnings for the home mechanic; color spark plug diagnosis and an easy to use index.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Thorough but not complete
By Chemteacher60
The one thing I needed it did not cover much at all. The A/C Heater air flow control was not working. It did not cover how to trouble shoot the vacuum lines or canister. Luckily I was able to discover that the vacuum line had come loose where it connects to the top of the engine. The Haynes manual did not show this. I had to use a diagram of the vacuum system that I found at Tonkin Online Parts.

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Great repair manual
By Rick Marshall
I have used Hayes in the past for all my mechanic needs for my vehicles. I've already had to use it to figure out an anti-brake issue with the vehicle. I recommend Haynes repair manuals for those that are mechanically inclined and know something about auto mechanics. This is not a good repair manual for those who do not know much about mechanics.

1 of 1 people found the following review helpful.
Just bought a used Buick
By Musicexplorer
Just bought a used Buick with some 'issues'. Seller delivered this Haynes manual in a few days. Now I got no more excuses for not working on Wifey's new old car. Already fixed the coolant light thingy and adjusted the thing-a-ma-bob do-hickey.........

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• Published on: 1656
• Binding: Paperback

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